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remember, I remember the Ottawa Shows
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No bones about it. Our favorite place to be is at
a HIP show. This page is intended to help us remember the best times of
our, and perhaps others, lives. Click on the peeling banana beside
the date you are interested in, or scroll through them all...
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Tragically Hip Show |
Author/Contributor
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Ottawa, Corel Center, 2000-12-06 |
Ren Bostelaar, J.
Frew
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Ottawa, Corel Center, 99-02-07 |
Dan Hilts
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Ottawa, Another Roadside Attraction,
1997 |
Yvon Villenueve
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Ottawa, Corel Center, 96-11-28 |
Dan Hilts
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Ottawa, Corel Center, 96-11-29 |
Yvon Villenueve
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Ottawa, Corel Center, 2000-12-06
.
Pre-Show Situation (D.Hilts)
.
My wife and I knew we took a chance when we
bought our tickets. Our baby was due to be born on the 4th, so we
thought we might be fine to take in the concert. Nope. Our
son was born on concert night @ 7:32 pm with 'Escape is at hand for the
Traveling Man' playing in the background. This is my wife's favorite
Hip song, and believe it or not, is very calming during labour. We
found this during the birth of our first son last year. So, we got
some
Hip in last night. And while James met us at the hospital to pick
up some nice box seat tickets to the concert, I had front row seats for
the birth of my son. That, I would not have changed for the world.
Dan
James summarized the overall show as follows:
-
The female backup singer (Kate) had a few little
solo lines, and each time, the crowd went nuts. She had one of those
real breathy, melt in your mouth voices.
-
Cool additions by the Hohner Keyboard (Chris).
Obvious spot was Gift Shop, but also provided filler for many other songs,
even some that didn't have boards on the albums.
-
I would expect that it was a bit of a disappointing
turn out for TTH. The Center was not filled to capacity, but around
80% full in terms of available seating.
Our friend Ren Bostelaar (who is also a
great photographer), posted a detailed summary of the show, so we have
also captured it below. May have minor additions from other posts,
but it is mostly as Ren stated.
Notes from the Show:
(from R. Bostelaar)
Holy mother of Gord.
From my slightly limited Hip-concert-going
experience, I can say that was the best Hip show I have ever been to.
From my much wider bootleg-listening experience, I can say that the boys
were truly on top of their game, treating the Nation’s Capital to a stellar
performance last night.
The Music:
1. Music @ Work
2. Grace: "We drank turpentine".
Fancy footwork from Gord. "Please, Please, Please give me my
keys!"
3. Three Pistols: Paul dancing
4. Puttin' Down: Gord D. on the
guitar
Interlude (Chris on the Organ)
5. Gift Shop: (Smell of weed)
6. Titanic Terrarium
7. Fireworks
8. The Completist
9. Springtime in Vienna:
New staccato starting - cool! Gord w/ his hacky sack
10. Ahead by a Century:
Synth Drum track? Kate vocal flourish. Organ.
"1986". "Pink Moon"! Nick Drake!
11. 100th: YA!!
Jam w/ organ. "C'mon! C'mon! C'mon!". "Purple Paint".
Shorter than usual. Huge cheer for 'vanity' rap.
12. Sherpa: Rhodes piano.
(sound mix is better)
13. Nautical Disaster: big
orb lowered, with under-water-like projection. "I'm so
hot under the collar!"
14. Tiger the Lion: Lights
like search lights scanning for fighter planes. Green flashes
like radar. Johnny playing drums like machine gun.
"Daily current of the radio waves".
END SET 1 ("See you in a few")
15. Scared: New blue shirt
(GD). KATE sings few verses. New song? Travellin'
salesman - "We don't get many visitors up here; hit the road!".
16. Wild Mountain Honey
17. Boots or Hearts: Whole
place clapping. Chris on honky tonk piano.
18. Blow at High Dough.
"TV star"
19. Lake Fever: "Can we..?"
Old style ending
20. Daredevil: slow old
style start - like hiccups! New song? 'Saboteur".
"Nasty 'cause they're in aisle 5. SHHHH!!! SHHHHH!!! SHHHH!!!
The saboteur..." repeat. Gord S really into it.
21. Twist my Arm: (gord
sounds exhausted; panting..)
22. Long Time Running: "After
I'm gone". Gord distinctly better singer than Road Apples days.
Honky Tonk piano from CB
23. Poets: "Bring out your
dead" - as always. "Be where I asked you to be!" - the mic?
24. Flamenco: Kate: yuck.
Gina was right. Crowd likes her.
25. Courage: "The garage
door closes at 7! Can you lemme in? No. No."
26. Chagrin Falls: Gord
D gets his guitar for jam @ end of song
27. NOIS: "Even a priest
would say this: If new Orleans is Sinking, than I don't wanna swim.".
"My baby she don't know me..." comes before jam? FUNKY BASS.
"I have to fine my friend Mr. Balbooey. With his left arm dangling.
Excuse me while I find my friend. "When he woke up, he was
covered in Coke Fizz." Sloan! Short jam.
28. Fire in the Hole!: "C'mon
out on the front line! Are you with us or not?". Robby's hair
flying madly. WOW! WOW!! CRAZY END
JAM!!
ENCORE:
29. Stay: (GD: "this is Stay,
so you know what that means."). Kinda lackluster song to return to.
Nicely done; better than NYE version.
30. Little Bones: SHIT!
No INCH! Crowd nuts. Pot smell...NICE. BLOODY NICE!
Additional facts posted by Stephen Dame:
-
intended Encore according to the setlist
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1. Wheat Kings
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2. Freak Turbulence
-
3. Locked In The Trunk Of A Car
Show Summary:
The mix got better as the show went on. The
first two songs were muddy as all hell, but by the end of the show the
sound was very enjoyable. Gord was very animated, as were the rest
of the band. They really seemed to be enjoying themselves. It’s also amazing
how well they kept the groove going for the whole night - the only time
they lost the energy build-up was when 10 minutes encore cheering was met
with Stay, a down tempo, lulling song. I would have preferred Inch an Hour.
In fact, I was quite upset when I didn't get to hear that song. I was so
excited to see it on a few sets this year, and I was hoping to get a chance
to hear it live. Oh well, I did get Yawning or Snarling last tour, and
Titanic Terrarium this time. There are only so many Oddball DfN songs they
can play, eh?
The most Canadian moment of the show: When
the whole arena cheered a Molson ad before the show. Just the logo. The
whole place cheered. Has our national identity been pared down to a Beer
label?
Tiger the Lion was mind-blowingly fantastic.
The lighting, with the searchlights and the radar blips, complimented the
song in an indescribable way.
Chris was terrific on the keys. His organ in
Gift Shop, and his piano in Long Time Running really impressed me. I’d
like them to keep him forever. Kate didn't impress me as much, but
some of my friends really dug her. I can surely live with her, because
she doesn't intrude too much - only on Flamenco and Scared, which have
never turned my crank too much.
The crowd was subdued, but that's really just
an Ottawa thing. The floor was rocking, but the stands were just mellow.
And, to be honest, that's not really that bad of a thing. A concert can
be enjoyed sitting down - its easier to observe, relish, and photograph.
It’s easier to linger on little details from a stable perch. Mind
you, I was in a very close seat. If I were up higher, I’d surely stand
to have a better view, and to involve myself more.
Hiccups! Okay, the words weren't there - but
the music was! I've always enjoyed the ‘96 pre-Daredevil jam, so it was
exciting to see it revived. I haven't had any time to read about the other
concerts - were you all treated to Hiccups jams as well?
I caught the words of two new embryonic songs;
Saboteur seems well on the way to being a fully developed song. Travellin’
Salesman is well put-together also. Purple Paint made an appearance (and
my singing along with it confused some seatmates), and I was surprised
to hear a snippit of Sloan!
Fantastic show. Worth every penny. But I couldn't
help but feel that this will be the last time I see them for a while. With
their growing families, Gord’s solo pursuits, and their need of a break,
I don't foresee another Canadian tour for a few years.
Still high, Sherpa high from the show,
- Ren -
Ottawa, Corel Center, 99-02-07
(D.Hilts)
One of the best stage setups -- overhead
lighting trusses were covered in stone like material, with a large chandelier
hanging from the center -- a 'Phantom on the Opera' type thing. The
backdrop and lighting truss material were often transformed into a multitude
of color with various moving light patterns. There were a couple
of Phantom Power props on stage as well. Gord D. was wearing Brown
pants, white long-sleeved shirt with kinda green colored vest, and initially
a blazer. I spent the show looking through binoculars, and could
see a friend (the Bass player in our band, Dave) grooving in the Phantom
Zone. Two hours before the show, he had scored these tickets with
another musician friend of ours (Marty Sobb).
The songs:
1. POETS: As hoped, the first song.
Gord D. shakin' the shaker (let's call it a gord).
2. GRACE TOO: The SNL version
("I'm Tragically Hip")
3. COURAGE
4. ESCAPE IS AT HAND FOR THE TRAVELLIN'
MAN
5. SPRINGTIME IN VIENNA: Gord
D. still tosses bells up and catches them during this song
6. YAWNING AND SNARLING
7. SOMETHING'S ON
8. GIFT SHOP: Introduced as a
song about heavenly delights right here on earth
9. VAPOR TRAIL
10. FLAMENCO: Introduced as 'this song
is called sweet sunshine in February. Gord D. sang a bit of "don't
worry baby" at the end--perhaps in tribute to their departed friend
11. FIREWORKS
12. MEMBERSHIP: Introduced as "it's
a river song"
13. AHEAD BY A CENTURY: Introduced as
"this is a song about a tree"
14. BOBCAYGEON: At the start Gord D.
notes "I hope the Black flies don't carry me away"
15. NAUTICAL DISASTER: Still a favorite,
and they lived up to expectations again
16. SAVE THE PLANET
17. AT THE 100TH MERIDIAN: As opposed
to Hengalo, Gord notes 'Tokyo'. There was a brief jam in the middle
like usual, lyrics included "you're like a milestone, didn't seem like
nothin' at first"
--- FIRST ENCORE ---
18. DAREDEVIL
19. CHAGRIN FALLS: Johnny's drum techs
changed a cymbal at the end. Damaged perhaps?
20. NEW ORLEANS IS SINKIN': Audience
went nuts, as usual. Was a brief jam in middle, but mot much if any
lyrics
--- SECOND ENCORE ---
21. LET'S STAY ENGAGED: Introduced as
"instead of good bye, let's stay engaged"
22. BLOW AT HIGH DOUGH: You know what
happened to the audience. Incidentally (or maybe not) they closed
the first show (see below 96-11-28) back in '96 with 'Blow'
Ottawa, Another Roadside Attraction, 1997
(Y.Villenueve)
You know, we didn't take notes this time around...just
soaked it all in. We did, however, take a picture. Just one
of many left in our minds from this show:
Ottawa, Corel Center, 96-11-28
(D.Hilts)
1. GRACE TOO: Drum beat starts before the band
takes the stage (drum track used). Gord D. 'plays nets' near the end--takes
his mic stand, uses as a stick, and blocks pretend shots. Never seen this
before, but I understand from an interview, that he plays net when playing
hockey with others, including the boys from the Reo's
2. EVERY TIME YOU GO: Didn't expect this one--a
nice surprise.
3. SPRINGTIME IN VIENNA: Introduced as a song
from Celine Dion. Gord D. shakes 'bells' through the whole song.
4. 50 MISSION CAP:
5. GIFTSHOP: Hey, Bobby uses a Telecaster on this
one.
6. AHEAD BY A CENTURY: Introduced as "This one
is for you Catherine"
7. OPIATED: Gord D. says "OK, it's come to this.
I'm shakin' a banana. It's a banana that talks..it talks". At the end of
the song, Gord places the banana in his right front pocket, holds the mic
down by his crotch, and shakes his leg to the beat.
8. 700 FOOT CEILING:
9. COURAGE: During the song, Gord D. rips out
his heart, and stomps on it. Near the end of the song, he whistles, and
calls for his dog. "Courage... here boy". Referring to the Corel Center,
he says "Nice shack...nice fucking shack...right here in Stittsville, too".
(Kevin Duffy - thanks for the clarification)
10. CORDELIA: At the end, Gord D. says "you are
a two man job".
11. HICCUP? Gord D. introduces as "This is a Gordon
Lightfoot song. It's called 'Tight Rope Walker's got the Hiccups'". At
the end, he says, "As you walked that rope over the Niagra Gorge, only
looked down once or twice, just to make sure it's the Niagra Gorge. Then
right into Daredevil.
12. DAREDEVIL:
13. PUT IT OFF: During the beginning, Gord D.
mentions he's thinking of getting his Little girl a doll that procrastinates
for X-mas.
14. BEST FRIENDS / STEREO:
15. NEW ORLEANS IS SINKING: In the middle, where
so many songs are born, Gord D. sings "I'm diggin' for fire". He also sings
"looked up to the lord above, and said hey Alanis thanks". By the way,
Gord had his acoustic on for this one.
16. GREASY JUNGLE: Couldn't make out Gord D's
comments at the beginning exactly, but believe he was referring to going
to a funeral (also noted in the song, right?).."I went to your funeral".
He also notes twice , "I could not be a shampoo boy", "I guess I'll just
continue to smell" (Kevin Duffy - thanks again).
17. APARTMENT SONG: Gord's introductory comments:
"See I'm not bilingual, but I wish I was...and my kids too. This is not
the Apartment Song... It's about looking past your fingertips." Near the
end, he says "A song...sang about national unity...aw fuck it". The at
the very end, "...for all time, that includes the future".
18. LITTLE BONES: During 'the long days of Shockley..',
Gord D. goes through the motions of a quarterback.
19. LOCKED IN THE TRUNK OF A CAR: Introduction
included a discussion about the fox in the henhouse...."they were organized...the
fox was a victim of cunning".
.....End of set...Johnny Fay grabs a blonde from
'the henhouse', and takes her back stage.
.
--- FIRST ENCORE ---
20. SCARED: Introduced with "Your cool, thanks
a lot...thanks a lot". Bobby & Paul used Electrics, only Gord D. plays
acoustic.
21. AT THE HUNDREDTH MERIDIAN: Gord D. uses the
banana shaker again... during the solo, he shoots his banana like a pistol.
They jam in the middle of the song (as usual), to Gord singing "She's rock
solid" (or perhaps 'blonde solid'??). "I cherish the minutes...the seconds
too", he says to end the song.
.
--- SECOND ENCORE ---
22. THUGS: Introduced as "this song's about an
alien abduction. At the end, Gord D. says "that's how you paint a room--feet
shoulder length apart".
23. COCONUT CREAM.
24. BLOW AT HIGH DOUGH: Gord D. mentions O.J.Simpson
a couple of times, "out at the speedway, same O.J. thing".
.
Ottawa, Corel Center, 96-11-29
(Y.Villenueve)
Well the Hip concert was a most interesting event,
a tremendous success. Empty seats were very difficult to find even with
binoculars. The hip performed two encores! The show started at 8:50 and
ended at 11:10.
.
I have only one gripe; I have heard rumours
about the excellent sound at the Corel Centre. However, I was disappointed.
Although it was loud enough, it was not what I consider "rock" level. The
output level was too low and gentle. Comments and shouts from the people
around me often drowned out the band. That has never happened to me at
a rock concert as there are usually annoyingly loud. I also struggled to
understand what Gord was saying/singing and could only pick out the odd
word (of course I’m concerned about those additional lyrics Gord usually
adds at the beginning or in the middle of songs). Despite this, I will
relate what I could pick out below:
1. Gift Shop
2. Twist my Arm
3. Grace Too
4. Inevitability of Death
5. Three Pistols
6. Ahead by a Century (Stretched ending in chords
C and D)
7. Butts Wiggling
8. The Luxury
9. Springtime In Vienna
10. 700 foot ceiling
11. Inevitability of Death
12. Flamenco
13. At The Hundredth Meridian (Song done faster
than usual with Improv in middle) Improv: New song perhaps named Purple
Paint ? A comical song which went to the tune of “The Edmund Fitzgerald”
At one point, Gord said: “I’ve heard farts before but this one was smart...So
I went over to his ass!...so I can mic it! ...Back to the tail-end of “At
The Hundredth Meridian.
14. Don’t Wake Daddy
15. Fully Completely
16. Sherpa
17. Blow at High Dough
18. Nautical Disaster “This is a song about terrorism”
19. The Where Withal.
.
--- FIRST ENCORE ---
20. Wheat Kings
21. Best Friends / Stereo (un-recorded song in
chords E and A )
22. New Orleans is Sinking (Fan jumped onto stage
from behind Bobby and was promptly kicked off).
.
--- SECOND ENCORE ---
23. Locked in the Trunk of a Car
24. Fire in the Hole